Works (selection)

2011

Orion

for 24-channel tape (5 min)

This Impossible Night

for stereo tape (11 min)

The Buried Sky

for 8-channel tape (9 min)

2010

What's the Matter With My Head?

for 8-channel tape (9 min)

Wistling Dixie

for 12-person instrumental ensemble (6:30" min)

Return Through the Beautiful Sopping Mountain

for large orchestra (14 min)

2009

Of Memory and Dream

for viola, cello and stereo tape (5 min)

Rattling the Cage

for prepared piano and stereo tape (4:30" min)

More Than Is Wise

for 8-channel tape (9:30" min)

2008

Interminable Delirium

for Viola, Cello, Double Bass, Xylophone, Harpsichord, and stereo tape (11 min)

Thriambos

for trombone and 8-channel electro-acoustic playback (11 min)

Words like Smoke

for string trio (9 min)

2007

Creeping Saffron

for cello and trombone (5:30" min)

Flying Instants

n-channel electro-acoustic composition for media playback (9 min)

Oracle

8-channel electro-acoustic compositions for the audio-visual-text installation of the same name with Robert Darroll, produced for the ZKM PanoramaScreen

2006

...all is noise...

10-minute composition for piano, violin, cello, contrabass, and temple blocks

2005

As time goes by...

Two arias for a group opera in the zeitoper series of the Hanover State Opera

Bedlam

5-channel electroacoustic composition for the audio-visual-text collaboration "Bedlam" with Robert Darroll (36 min)

Suburbia

4-channel sound installation for the visual art exhibition of the same name

2004

Passages

for violin and piano (12 min)

turned

multichannel improvisational computer music environment for the interactive dance-video-sound production "turned" with Florian Meyer, Kazue Ikeda, and Chris Ziegler

Stretching of the Core

for live-performed computer with 4 loudspeakers (9 min)

2003

If the Whiskey Don't Kill Me (orchestral version)

for orchestra, based on the composer's own tape work of the same name (8 min)

souvenir

6-channel sound installation for the visual art exhibition "souvenir" by Natalia Stachon

transgression / excès

for alto saxophone, accordion, and live computer; music for the theater production of the same name by Malte Ubenauf and Dirk Meinzer (2 hrs)

2002

Pencils, dumbells, cassette tapes, and a pack of tissues No. 2

2-channel modular computer composition (9 min)

Sie wird nicht kommen

music for a theater-video-animation collaboration, with Claudia Westermann (8 min)

2001

Inr n wdh (Stone of the kind which flows)

for bass clarinet and multi-channel live-interactive computer (12 min)

Murmurs and hushed tones

for prepared piano and computer-generated 2-channel tape (7 min)

2000

Noemata No. 1

audio-video collaboration with Robert Darroll (5 min)

btd x

audio-video collaboration with Claudia Westermann (5 min)

Murderous Ways

for chamber orchestra and male speaker (14 min)

1999

Music for Electric Guitar, amplified Violin and two Synthesizers

(6 min)

Never Talk to Strangers

for string quartet (6 min)

Music for Four Players

for soprano sax, violin, piano and percussion (12 min)

1998

Music for Three Players No. 2

for violin, piano, guitar, and pitch-to-MIDI controlled video/graphics via MAX (14 min)

Music for four Percussionists

for various cymbals, vibraphones and marimbas, and o'taiko (6 min)